I think this format has a lot of potential, but it's also really hard to do well.
To me, this film felt much more like a stylistic proof-of-concept than something that's been realized. Having Noah change the status in Amy's account served the plot but not the story--it was a quick shortcut that got the film to the length that those who created it wanted, but it struck me as unrealistic.
This had a higher level of production behind it than The Scene, but The Scene--at least what I watched of it--did much more exploration. Granted, they're about different things, but this seemed much more glib. I think it was really more about how to execute the idea than about the content, where I feel The Scene explored the content better. I don't think either of them got it right, but I really appreciate the attempts. I'd love to see more exploration of this sort of thing.
To me, this film felt much more like a stylistic proof-of-concept than something that's been realized. Having Noah change the status in Amy's account served the plot but not the story--it was a quick shortcut that got the film to the length that those who created it wanted, but it struck me as unrealistic.
This had a higher level of production behind it than The Scene, but The Scene--at least what I watched of it--did much more exploration. Granted, they're about different things, but this seemed much more glib. I think it was really more about how to execute the idea than about the content, where I feel The Scene explored the content better. I don't think either of them got it right, but I really appreciate the attempts. I'd love to see more exploration of this sort of thing.