> I like living in a world where I know that people who have spent actually time on nurturing a talent get rewarded for doing so, even if that talent is not something I will ever be good at.
That world has only existed for the last hundred or so years, and the talent is usually brutally exploited by people whose main talent is parasitism. Only a tiny percentage of people who sell creative works can make a living out of it; the living to be made is in buying their works at a premium, bundling them, and reselling them, while offloading almost all of the risk to the creative as an "advance."
Then you're left in a situation where both the buyer of art and the creator of art are desperate to pander to the largest audience possible because everybody is leveraged. It's a dogshit world that creates dogshit art.
That world has only existed for the last hundred or so years, and the talent is usually brutally exploited by people whose main talent is parasitism. Only a tiny percentage of people who sell creative works can make a living out of it; the living to be made is in buying their works at a premium, bundling them, and reselling them, while offloading almost all of the risk to the creative as an "advance."
Then you're left in a situation where both the buyer of art and the creator of art are desperate to pander to the largest audience possible because everybody is leveraged. It's a dogshit world that creates dogshit art.