> When a stereotypical airplane (or spaceship) pilot speaks over the radio, either to flight controllers on the ground or to his own passengers, he does so in a very soft, smooth register, just barely loud enough to pick up on the radio, probably with a faint American Southern accent (unless he's British, in which case it is an upper-class one). He uses radio jargon, even when he doesn't really need to. A true Danger Deadpan never loses his cool or changes his tone of voice under any circumstances whatsoever, a habit which is often Played for Laughs. ...
> In Real Life, this makes a lot of sense. Even if your plane's lost two engines and half a wing, the last thing you need is a bunch of scared people in the back of the plane panicking and raising hell; you can't be screaming "OH GOD WE'RE ALL GONNA DIE" over the radio. Not to mention the fact that if you stay calm and actually tell Mission Control what the problem is, you won't throw away what may be your last chance to actually work out how to fix it or at least get to the ground in one piece.
The "Real Life" section includes Yeager (with a long quote from The Right Stuff with an example of the voice) and Moody of BA Flight 9, plus many others, and comments:
> Yeager is the most known example and the book "The Right Stuff" made a nice legend, he probably isn't the first who started to talk that way. For example, Mark Gallai (a Soviet test pilot who started his career in the 1930s) recounts just this way of reporting over radio about as soon as radio was introduced on airplanes. Let's just repeat: when you need to report your condition to ground crew, you are going to speak calmly and clearly, no matter what's happening with your plane.
> When a stereotypical airplane (or spaceship) pilot speaks over the radio, either to flight controllers on the ground or to his own passengers, he does so in a very soft, smooth register, just barely loud enough to pick up on the radio, probably with a faint American Southern accent (unless he's British, in which case it is an upper-class one). He uses radio jargon, even when he doesn't really need to. A true Danger Deadpan never loses his cool or changes his tone of voice under any circumstances whatsoever, a habit which is often Played for Laughs. ...
> In Real Life, this makes a lot of sense. Even if your plane's lost two engines and half a wing, the last thing you need is a bunch of scared people in the back of the plane panicking and raising hell; you can't be screaming "OH GOD WE'RE ALL GONNA DIE" over the radio. Not to mention the fact that if you stay calm and actually tell Mission Control what the problem is, you won't throw away what may be your last chance to actually work out how to fix it or at least get to the ground in one piece.
The "Real Life" section includes Yeager (with a long quote from The Right Stuff with an example of the voice) and Moody of BA Flight 9, plus many others, and comments:
> Yeager is the most known example and the book "The Right Stuff" made a nice legend, he probably isn't the first who started to talk that way. For example, Mark Gallai (a Soviet test pilot who started his career in the 1930s) recounts just this way of reporting over radio about as soon as radio was introduced on airplanes. Let's just repeat: when you need to report your condition to ground crew, you are going to speak calmly and clearly, no matter what's happening with your plane.