And some of the licensing conflicts are because of an alliance that existed and made sense in say 1995 and today seems like inexplicable nonsense.
For example indie creator studio makes video game for the PS1. It's a huge hit, they go on to make other popular games, and one day Microsoft buys them, morphs them into an in-house team. And then one day you realise you're arguing that, Microsoft (now the owner of the license) should release this Sony Playstation game. No. Not going to happen.
When this stuff happens for individual humans, often even if the money doesn't mean anything to one person who is an obstacle, it does mean something to their co-creators and they'll do it for that. For example it would be possible for Alan Moore to have blocked a lot of stuff that uses his work, from the V for Vendetta movie (which lots of people liked but I felt missed the whole point) to the re-issues of Miracleman, but while Alan doesn't care about money, the artists on that work do, and him blocking it would hurt them. So e.g. that's why modern copies of Moore's seminal run on Miracleman say they're by "The Original Author" in big text but never mention Moore by name, that's his condition, he doesn't want the Mouse's money, but his artists do.
Corporations don't care though. If they can inconvenience a modern competitor by snuffing out an important cultural artefact that is exactly what they'll do.
I'd actually advocate outright abolition of copyright. The associated moral rights have some place, but copyright is almost entirely a means for corporations to try to control culture for their own profit and we don't need it. But 28 years is a more acceptable middle ground I guess.
For example indie creator studio makes video game for the PS1. It's a huge hit, they go on to make other popular games, and one day Microsoft buys them, morphs them into an in-house team. And then one day you realise you're arguing that, Microsoft (now the owner of the license) should release this Sony Playstation game. No. Not going to happen.
When this stuff happens for individual humans, often even if the money doesn't mean anything to one person who is an obstacle, it does mean something to their co-creators and they'll do it for that. For example it would be possible for Alan Moore to have blocked a lot of stuff that uses his work, from the V for Vendetta movie (which lots of people liked but I felt missed the whole point) to the re-issues of Miracleman, but while Alan doesn't care about money, the artists on that work do, and him blocking it would hurt them. So e.g. that's why modern copies of Moore's seminal run on Miracleman say they're by "The Original Author" in big text but never mention Moore by name, that's his condition, he doesn't want the Mouse's money, but his artists do.
Corporations don't care though. If they can inconvenience a modern competitor by snuffing out an important cultural artefact that is exactly what they'll do.
I'd actually advocate outright abolition of copyright. The associated moral rights have some place, but copyright is almost entirely a means for corporations to try to control culture for their own profit and we don't need it. But 28 years is a more acceptable middle ground I guess.