> However, I imagine he buys entire movements and concentrates on the case, face, hands, and other aesthetic elements.
I'm not so certain about that; the article mentions his making a wristwatch (and pocket watch) version of a traditional Japanese clock which varies the length of a day by the seasons. Such timepieces (as clocks) fell out after the Meiji restoration (according to the article) when Japan transitioned to western style clocks.
Given that, unless Seiko (or some other company) is also making movements for traditional Japanese timekeeping, I can't imagine your scenario being true, simply because the market for traditional Japanese timekeeping watches would have to be pretty damn small, as they are virtually useless for practical use in the modern world, and only would serve as curiosities and/or art.
Just my opinion based only on the article, though - I could be completely wrong.
I'm not so certain about that; the article mentions his making a wristwatch (and pocket watch) version of a traditional Japanese clock which varies the length of a day by the seasons. Such timepieces (as clocks) fell out after the Meiji restoration (according to the article) when Japan transitioned to western style clocks.
Given that, unless Seiko (or some other company) is also making movements for traditional Japanese timekeeping, I can't imagine your scenario being true, simply because the market for traditional Japanese timekeeping watches would have to be pretty damn small, as they are virtually useless for practical use in the modern world, and only would serve as curiosities and/or art.
Just my opinion based only on the article, though - I could be completely wrong.